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Four Questions for Pärt Uusberg
An introduction from Martin Anderson: Toccata Classics has been promoting the music of Estonian composers since its early days, as I personally was, too, as…
Adopt a Composer — Jürgen Thym and Samuel Adler
One of the most rewarding aspects of my activities as a musicologist has been following the life and works of living composers – be they…
Some Thoughts on Marcel Mihalovici’s Left-Hand ‘Passacaille’
On 2 October Toccata Classics releases the first-ever album of the piano music of the Romanian-born, Paris-based Marcel Mihalovici (1898–1985), in performances by the Berlin-based…
Robert Saxton’s Piano Music: A Creative Collaboration
Clare Hammond introduces her album of Robert Saxton’s piano music, in preparation for release in March 2018 In August I travelled to SJE Arts in…
Songs of Love, Sorrow and Satire (And Not Forgetting the Baboon!): Recording Hans Gál’s Music for Voices
One of the proudest, happiest and most surreal moments in my singing career to date has been uttering the final notes of a choral concert…
Not Just Another Piano CD
You may be thinking, ‘Oh not another piano recording’! But I believe that all piano albums are different. I have been writing music for over…
The Mexican Harp Volume One: Concertos and Solos
With this first Toccata Next album of Mexican music for harp, the American harpist Janet Paulus pays tribute to her adoptive country and to three composer friends, each with a concertante work and music for solo harp – several of them recently written for her. The predominant style is gently Neo-Romantic, occasionally animated with echoes of Mexican folk-music.
Janet Paulus, harp
Solistas de Minería (Tracks 2–5, 10-12)
Carlos Miguel Prieto, conductor (Tracks 2-5, 10-12)
Stefan Koch: Why Richard Stöhr Has Nearly Taken Over My Musical Life
Greetings to fans of Toccata Classics. If you are reading this blog posting, hopefully you are either listening to my new recording of Richard Stöhr’s…
Paul Mann: Solberg Sessions — A Report from Liepāja
Tucked away on the west coast of Latvia is the town of Liepāja, home to fewer than 100,000 people, but boasting an especially fine orchestra,…
David O’Brien — Dreams Come True: Recording my Grandfather’s Orchestral Music
On Monday, 4 August, one hundred years to the day after the start of the first World War, I found myself flying via Frankfurt on…
Ronald Stevenson: all-too-brief encounters, and an astounding legacy.
I met Ronald only once. I simply came to his music too late in his life — which came to a peaceful end on 28…
Gary Brain Remembered
It has not been a good week. On Friday Yodit, my beloved fiancée, partner of the past seven years and mother of our five-year-old Alex,…
Einar Englund, Symphonist and Drinking Companion
Today, 17 June, would have been the 99th birthday of the Finnish composer, Einar Englund, who, with his second wife, Maynie, was a friend of…
The Re-Emergence of Leo Zeitlin
The story of Leo Zeitlin and his music’s re-emergence is so remarkable that it has already been duly reported in several online and printed articles.…
Coming in from the Unknown
English composer Steve Elcock describes his emergence from total obscurity At the age of seventeen, I sat the entrance examination to go to Oxford to…
Rediscovering George Antheil — Not Such a ‘Bad Boy’ After All
When Martin Anderson of Toccata Classics first suggested a project of music by the American composer George Antheil, I immediately thought of the typically avant-garde…