The Toccata Classics Blog

Remembering Taryn Fiebig

It is with tremendous sadness that I write today about the passing of the Australian soprano, Taryn Fiebig, on 20 March 2021.  Taryn was a… 

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Too Many Symphonies? – Part One: Rob Keeley

Sometime in the 1950s, when John Barbirolli famously said ‘there are too many symphonies this year, or any year’, he might have been weary after… 

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Reflections on Recording The Rosner ‘Requiem’

It has given me so much pleasure to read the wonderful reviews of the Rosner Requiem recording, where discerning critics have enthusiastically endorsed the great… 

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Recording Francis George Scott’s Piano Music

Two years after I began to record it, the first-ever album of Francis George Scott’s piano music is now available. The programme as it appears… 

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Reflections on the Life and Work of Friedrich Gernsheim – With Some Help from the Young People of Worms

Ever since, some years ago, I heard the State Philharmonic Orchestra of Rhineland-Palatinate performing a symphony by Friedrich Gernsheim (1839–1916), I have been seeking to… 

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Some Thoughts on Marcel Mihalovici’s Left-Hand ‘Passacaille’

On 2 October Toccata Classics releases the first-ever album of the piano music of the Romanian-born, Paris-based Marcel Mihalovici (1898–1985), in performances by the Berlin-based… 

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Prokofiev’s Violin Partnerships

At the beginning of October Toccata Classics will release a new album, by the violinist Yuri Kalnits and pianist Yulia Chaplina, of music by Prokofiev… 

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Obit Nikolai Kapustin

The news of the death of Nikolai Kapustin – on 2 July 2020, at the age of 82 – has sent me scurrying to my… 

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Elcock: From One Fifth To Another

Steve Elcock has mastered the fast introduction. A device favoured by Berlioz gets a new lease of life: both Elcock’s Third (2005–10) and this new… 

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Songs of Love, Sorrow and Satire (And Not Forgetting the Baboon!): Recording Hans Gál’s Music for Voices

One of the proudest, happiest and most surreal moments in my singing career to date has been uttering the final notes of a choral concert… 

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Hans Gál In Conversation

This conversation, first published in the Journal of the British Music Society (Vol. 9, 1987, pp. 33–44), was recorded at Dr Gál’s Edinburgh home in… 

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Some Thoughts on My First Volume of Philipp Scharwenka’s Piano Music

My contact with Philipp Scharwenka’s music came from my in-depth study of the great Portuguese pianist José Vianna da Motta (1868–1948), who, at the age… 

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A Selfie With Napoleon: Some Even More Modest Memories and ‘Previntable’ Mistakes on my Antheil Trail

Reading Martin Anderson’s ‘modest memories’ of André Previn brought to mind that, during my millennial research on George Antheil (bearing fruit, among other places, in… 

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Remembering Roger Smalley

A new Toccata Classics release restores to circulation the music of a composer who was both a cutting-edge modernist and an enthusiast for Romantic figures… 

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Cooking Up A Symphony: Steve Elcock Examines What Makes A Good Recipe

After I posted a recipe on one of the social networks, two composer friends suggested, jokingly, that I should come up with a recipe for… 

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Four Questions for Pärt Uusberg

An introduction from Martin Anderson: Toccata Classics has been promoting the music of Estonian composers since its early days, as I personally was, too, as… 

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