The piano music of the Czech-born composer Antoine Reicha (1770–1836) – friend of Haydn and Beethoven, teacher of Berlioz, Liszt, Franck and many others – is one of the best-kept secrets in music. He was an important influence on composers of the next generation but, apart from an innovative set of fugues, his piano works have remained almost unknown since his own day. Encompassing Baroque practices as well as looking forward to the twentieth century, they are full of harmonic and other surprises that show this liveliest of musical minds at work. Reicha’s twenty Études ou Exercices, recorded here for the first time, manage to combine his maverick inventiveness with a considerable degree of charm.
Henrik Löwenmark, piano
The piano works of the Czech-born composer Antoine Reicha (1770–1836) – friend of Haydn and Beethoven, teacher of Berlioz, Liszt and Franck – is one of the best-kept secrets in music. He was an important influence on composers of the next generation, but apart from an innovative set of fugues his piano works have remained almost unknown since his own day. Encompassing Baroque practices as well as looking forward to the twentieth century, they are full of harmonic and other surprises that show this liveliest of minds at work. The massive variation-set on a French gavotte recorded here for the first time reveals a composer who tempers his learning with a vivid sense of humour.
Henrik Löwenmark, piano
Einar Englund (1916–99) was not only one of Finland’s major symphonists; he was also one of his country’s most important pianists and was destined for a career as a virtuoso until, as a soldier, he damaged a finger in a battle against the invading Russians. He wrote surprisingly little for his own instrument, but the works he did produce glitter with a Prokofievan steely strength and textural clarity, animated with the ironic humour that was typical of the composer himself.
Laura Mikkola, piano
UPDATE: ALBUM AVAILABLE NOW! Day 1, Sunday, 17 September 2017 This afternoon my old friend Martin Anderson and I set out for Málaga to record…
The death of Per Nørgård on 28 May 2025, at a grand old 92, sent me to my ‘article bank’, to look over my writings…
My contribution to Svetik – the opening section, ‘Three Sisters’ – deals with Sviatoslav Richter’s relationship to his mother and her sister (Dagmar von Reincke,…
It has not been a good week. On Friday Yodit, my beloved fiancée, partner of the past seven years and mother of our five-year-old Alex,…
This conversation, first published in the Journal of the British Music Society (Vol. 9, 1987, pp. 33–44), was recorded at Dr Gál’s Edinburgh home in…
News has come through of the death this morning, 23 February 2014, of Alice Herz-Sommer, at the age of 110. Alice had become an icon,…
John’s death on 13 February was not unexpected – indeed, he had given his brain tumour a good fight and long outlived his doctors’ prognoses.…
I met Ronald only once. I simply came to his music too late in his life — which came to a peaceful end on 28…
Songs of Loneliness was recorded in the autumn of 2020; the oldest music on the disc dates back to 2016. Here is a selection of…
When Martin Anderson of Toccata Classics first suggested a project of music by the American composer George Antheil, I immediately thought of the typically avant-garde…
English composer Steve Elcock describes his emergence from total obscurity At the age of seventeen, I sat the entrance examination to go to Oxford to…
In the autumn of 1959 I was beginning my final year at Oxford. A friend called David Tempest, like me a piano nut, asked me…
In May 1984 I was invited on holiday with some friends who had rented a villa in the hills outside Viareggio in Tuscany, were…
"*" indicates required fields
This site uses cookies for analytics and to improve your experience. By clicking Accept, you consent to our use of cookies. Learn more in our privacy policy.