The intensity with which the Russian composer Herman Galynin (1922–66) lived his short life is reflected in the extraordinarily high voltage of his music. In spite of a difficult start in life – he was an orphan – his instinctive musicality combined with the impulsiveness of his personality to make him one of the best known of Soviet composers while he was a student. Although mental illness put an early end to his meteoric career, the wild, freewheeling energy of his compositions – as witness these five works for strings – leave little doubt that Galynin would have been one of the major musical voices of the second half of the twentieth century; as it is, what he did achieve is remarkable.
Anastasia Latysheva, violin (Tracks 1,2, 7-10, 11-14)
Academy of Russian Music (Tracks 1-6)
Ivan Nikiforchin, conductor (Tracks 1-6)
Arina Minaeva, violin (Tracks 7-10, 11-14)
Anastasia Bencic, viola (Tracks 7-10)
Kseniia Kharitonova, viola (Tracks 11-14)
Anna Scherbakova, cello (Tracks 7-14)
Includes first recordings
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An introduction from Martin Anderson: Toccata Classics has been promoting the music of Estonian composers since its early days, as I personally was, too, as…
I often play a kind of party game with friends: each participant will offer a recording of a piece of music by a less-well-known composer,…
The first thing I noticed was the trees. Once we were out of Riga airport, they soon crowded up to the edge of the road;…
The piano music of Sergei Taneyev (1856–1915) is one of Russian’s hidden secrets. Student and friend of Tchaikovsky, Taneyev – a formidable pianist and composer of the front rank – has never had the attention he deserves. The CD couples a first-ever recording of the only two movements he recorded of his youthful piano concerto with more premiere recordings of music for solo piano from across his career. The Four Improvisations, composed jointly by Taneyev, Rachmaninov, Arensky and Glazunov, bring a composite first recording for all four composers. And The Composer’s Birthday, for narrator and piano, four hands, was written as a light-hearted birthday present for Tchaikovsky.
Joseph Banowetz, piano
Russian Philharmonic of Moscow, orchestra
Thomas Sanderling, conductor
Vladimir Ashkenazy, narrator
Joseph Banowetz and Adam Wodnicki, piano duet
Ferenc Farkas (1905–2000) was one of the longest-lived members of the wave of Hungarian nationalist composers which began with the rise of Béla Bartók and Zoltán Kodály. A student of Ottorino Respighi in Rome, Farkas blended Respighi’s Latin melodiousness with the Magyar folk-heritage that Bartók and Kodály had made the central element of Hungarian music. His Old Hungarian Dances of the 17th Century have become a staple of the wind-quintet repertoire; the other five works on this disk display the same irrepressible joie de vivre.
Ulrike Schneider, mezzo soprano
Daniel Dodds, violin
Dieter Lange, double-bass
Phoebus Quintet, wind quintet
Christoph Bösch, flute
Barbara Zumthurn-Nünlist, oboe
Dimitri Ashkenazy, clarinet
Martinů Roos, horn
Susan Landert, bassoon
Antonín Dvořák has long been known as one of music's supreme melodists, but his songs have not made quite the headway of his best-known works. Now 30 of them are given a new lease of life in transcriptions for violin and viola and piano by his great-grandson, Josef Suk — the viola pieces performed here on Dvořák's own instrument, restored especially for this recording. With Josef Suk joined here by Vladimir Ashkenazy, this disc offers two of the world's greatest musicians playing — together for the first time — some of its most beautiful music, in versions never heard before.
Josef Suk, violin, viola
Vladimir Ashkenazy, piano
The music of the German composer Friedrich Gernsheim (1839-1918) is gradually beginning to emerge in recordings, revealing him as one of the finest composers of his age. His two piano quintets are tightly constructed, powerfully argued and full of rhythmic energy, and also abound with memorable tunes. They are, in fact, both masterpieces, among the very best of German Romantic chamber music, ranking alongside the Brahms and Schumann works.
Art Vio String Quartet
Edouard Oganessian, piano
Walter Moskalew, Anna Moskalewa-Richter and Dagmar von Reincke
Foreword by Vladimir Ashkenazy
Introduction by Bruno Monsaingeon
Translated and edited by Anthony Phillips
Extent: 462 pages
Size: 16 x 24 cm
Published: October 2015
Illustrations: c. 30 colour illustrations; c. 250 b/w illustrations
With an overture by Vladimir Ashkenazy
Extent: 791 pages
Composition: Demy octavo ~ Illustrated ~ Appendices ~ Bibliography ~ Index
Illustrations: 16 b/w
The narrative seems to have all the ingredients of a tragic, if not epic, film. The young genius, his potential cruelly crushed by an evil…
We’re delighted to announce that Vladimir Ashkenazy and Osmo Vänskä, treasured Patrons of Toccata Classics, have been joined by a third luminary, Sir Roger Gifford,…
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