SVETIK: A Family Memoir of Sviatoslav Richter
Walter Moskalew, Anna Moskalewa-Richter and Dagmar von Reincke
Foreword by Vladimir Ashkenazy
Introduction by Bruno Monsaingeon
Translated and edited by Anthony Phillips
Extent: 462 pages
Size: 16 x 24 cm
Published: October 2015
Illustrations: c. 30 colour illustrations; c. 250 b/w illustrations
Composition: Foreword by Vladimir Ashkenazy ~ Introduction by Bruno Monsaingeon ~ A Note on the Origins of this Book by Anthony Phillips ~ Acknowledgements ~ Moskalew Family Genealogy ~ Notes on Names, Places and Dates ~ Part I: Three Sisters by Walter Moskalew (Prologue; 1. Zhitomir, Odessa and the War; 2. Schwäbisch Gmünd; 3. Nyuta, Svetik and Meri; 4. More Tours of America; 5. Sorrow and Joy; 6. Reginald and Dora; 7. Holding On to Imagination with Both Hands #) ~ Part II: My Life – The Memoirs of Anna Moskalewa-Richter ~ Part III: Sketches by Tamara Moskalewa/Dagmar von Reincke (1. Lenochka’s Death; 2. A Quite Different Sort of Boy: Introduction; The Dandelion; The Pastrycooks; Wasps; Nyurka; A Rainy Day; The Cinema; Vignettes) ~ Appendices ~ Glossary of Names and Places ~ Index
For well over half a century, since the Soviet regime first allowed Sviatoslav Richter to travel to the west, his name has been synonymous with the very pinnacle of pianistic art. His recorded legacy, extending from 1947 to 1994 – over 80 per cent of it from live performances – is one of the largest and most admired ever assembled by any musician anywhere. Yet this prodigiously gifted artist, whose personality Pierre Boulez characterised as being ‘greater than the possibilities offered to him by the piano and broader than the very concept of complete mastery of the instrument’, underwent no formal musical studies of any kind until at the age of 22 he left the relative obscurity of the Ukraine, where he had been born in 1915, to seek the advice of Russia’s most celebrated piano pedagogue, Heinrich Neuhaus, in Moscow. Neuhaus’ astonished reaction to his first encounter with Richter, and his declaration that ‘to teach one who already knows will only do damage’, have passed into legend.
Richter, a famously reclusive man outside a small circle of trusted companions, resisted speaking or writing about himself. As a result, comparatively little is known about his life before his move to Moscow. This lavishly illustrated book provides unique insights into the childhood and formative years of ‘Svetik’ – ‘Little Light’, as he was always known within the large and unusually creative family circle – in a provincial Ukrainian city during the traumatic years of revolution, civil war, famine and wartime occupation by German and Romanian forces. Walter Moskalew, Richter’s much younger cousin, is guardian of a rich collection of photographs, reminiscences, drawings and letters of family members, notably the memoirs of Richter’s mother Anna and his twenty-year-long correspondence with his beloved Aunt Meri. Walter Moskalew has collaborated with editor and translator Anthony Phillips to produce an indispensable account of the influences that shaped the artistry and world-view of the phenomenon that was Sviatoslav Richter.