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Alexander TCHEREPNIN: My Flowering Staff

In 1925–26 the French publisher Heugel brought out three volumes of 24 songs by the young Russian composer Alexander Tcherepnin (1899–1977), all setting poems by the ‘Acmeist’ Russian poet, Sergei Gorodetsky (1884–1967) – Tcherepnin’s Opp. 15, 16 and 17. Not until 2014, when Tatyana Kebuladze, the pianist on this recording, examined the composer’s manuscript in the archives of the Sacher Foundation in Basel was it realised that those three recueils were the tips of a much larger iceberg: a cycle of 35 settings of the 37 poems in Gorodetsky’s collection My Flowering Staff, plus an anonymous epilogue – one of the most extensive song-cycles in musical history. The songs themselves are audibly in the tradition of Tchaikovsky and other such Romantic Russian composers, but with a degree of psychological insight conveyed through the harmonic piquancy typical of the new century.

Inna Dukach, soprano (Tracks 1–16, 18-22, 24-37)
Tatyana Kebuladze, piano
Paul Whelan, bass (Track 17)
Acmeist Male Choir (Track 17)

FIRST COMPLETE RECORDING

*Due to an error in a track of this recording, a new edition of the CD of this recording will be pressed as soon as possible. The downloads do not have the error.

Peter Racine FRICKER: Organ Music

The London-born Peter Racine Fricker was once a prominent figure on the British musical landscape but slipped from view after he took up a teaching post in California in 1964. This first-ever survey of his organ music reveals a vigorously contrapuntal style, one which reconciles a taste for crunchy dissonance with a strong sense of melodic direction, its moods ranging from angular elegance to fierce climaxes swirling with energy and glittering with light. The organist here is Tom Winpenny, Assistant Master of the Music at St. Albans Cathedral and one of Britain’s brightest young stars in the organ firmament. He was formerly Sub-Organist at St. Paul’s Cathedral, and during this time he performed with the Cathedral Choir at the American Guild of Organists National Convention, performed in Mahler’s Symphony No. 8 with Valery Gergiev and the London Symphony Orchestra, and played for many major state occasions. He has also broadcast regularly on BBC Radio and been featured on American Public Media’s ‘Pipedreams.’

Tom Winpenny
Organ of Bridlington Priory

Pärt Uusberg: Choral Music, Volume One

This album introduces both a new voice and a new choir to western audiences: the Estonian Pärt Uusberg (b. 1986) is well known at home as a film actor as well as a composer; and in 2017 Collegium Musicale carried the coveted Silver Rose Bowl of the EBU competition ‘Let the Peoples Sing’ home to Tallinn. Uusberg’s works use many of the devices that have made recent Baltic choral music so popular in the wider world: melodies that unfold calmly over long bass lines, sustained by suspensions and piqued by mild dissonance – reflecting an awareness of the immensity of nature in music that is both exquisitely beautiful and infinitely touching.

Collegium Musicale
Endrik Üksvärav