The British-based Naresh Sohal, born in Punjab in 1939 but resident in the UK for most of his life, was the first person of Indian origin to make his mark as a composer of western classical music, writing works that displayed an unusual fusion of two cultures. The four quartets heard here – two of them being performed for the first time – document Sohal’s stylistic journey: the fireworks of Chiaroscuro II reflect the wild energy of European modernism, whereas the three later works are more considered in manner, incorporating occasional echoes of Indian music into their freewheeling counterpoint.
Piatti Quartet
Composers who orchestrate the music of earlier colleagues often serve them best when they add something of themselves to the work in hand. These three orchestrations by the English composer Robin Holloway (b. 1943) demonstrate his profound understanding of and affection for two of the most important Romantic composers – and his re-imagining of Brahms’ Sonata for Two Pianos (which Brahms himself recast as his Piano Quintet) as a symphony gives one of the greatest of all compositions a wild and thrilling energy, making it also a masterpiece of our own age.
BBC Symphony Orchestra
Cellerina Park, leader
Paul Mann, conductor
Royal octavo (253 mm x 158 mm)
456pp
81 illustrations
61 music exx.
Catalogue of Works
Bibliography
Format: Hardback
Piano music forms a large part of the output of the Romanian composer Livia Teodorescu-Ciocănea (b. 1959), as you would expect of someone who has been playing the instrument since she was four. This first album of her music reveals a latter-day Impressionist, sensitive to half-light and petal-delicate tonal colour – but she can also generate powerful surges of energy, and her musical portrait of Charlie Chaplin testifies to an impish sense of humour.
Tamara Smolyar, piano solo (Tracks 1, 3-4, 8) and piano primo (Tracks 2, 5-7, 9-11)
Livia Teodorescu-Ciocănea, piano secondo (Tracks 2, 5-7, 9-11)
Yevhen Stankovych (born in 1942) is one of Ukraine’s leading contemporary composers. His music for violin and piano – almost all of it recorded here for the first time – covers a wide range of emotions, from wild highland dances that distantly recall Szymanowski to the plangent, lyrical lament of Maydan Fresco, protesting the deaths of demonstrators in Maydan Square in 2013.
Solomia Soroka, violin
Arthur Greene, piano
The man who as W. D. Munn published papers on that branch of mathematics known as semigroup theory had another side to his personality: Douglas Munn (1929–2008), professor of mathematics at the University of Stirling, was also a fine pianist and a gifted composer. His piano music has its origins in Chopin, Brahms and Bartók but is clearly also inflected by Scottish folksong – much of it has a sense of the hills and the open spaces – and is written by someone with an intimate knowledge of the instrument. The Latvian pianist Arta Arnicane knew Douglas Munn and this album is the fulfilment of an unspoken promise to record his piano music.
Arta Arnicane, piano
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