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Recording the Fourth Symphony … At Last!
In March 2020 my wife and I were all set to journey from our home in south-eastern France to Manchester to hear the BBC Philharmonic…
Talking About Bruno Schulz With Marius Kociejowski
Bruno Schulz was a Polish-Jewish writer and artist who lived most of his life in Drohobych – then in Austrian Galicia, now in Ukraine. He…
Helmut Rilling in Conversation, in 1998
The death of Helmut Rilling, on 11 February 2026, reminded me that we had had a thoroughly enjoyable conversation 28 years earlier, as the basis…
Remembering Robin Stevens
The news of the death of the composer Robin Stevens earlier this week (on 16 February) did not come as a surprise: Robin had been…
Henry Litolff: Piano Music, Volume One
The British-born Henry Litolff (1818–91) maintains a toehold on the repertoire thanks to the enduring popularity of the Scherzo of his Concerto symphonique No. 4 for piano and orchestra. Litolff’s substantial output of music for solo piano – mostly virtuoso salon miniatures – has entirely slipped from sight, even though in his prime as composer and pianist he was often compared with Liszt, a personal friend. This first album devoted to Litolff’s piano music reveals a fondness for atmospheric character pieces and vigorous dances, not least the polka, mazurka and waltz.
Tingyue Jiang, piano
Adolf Busch: Chamber Music, Volume One
Adolf Busch (1891-1952) enjoys a reputation as one of the greatest of all violinists: his recordings of Beethoven with the Busch Quartet have never been surpassed. But Busch was also one of the major composers of his day, equally natural as contrapuntist and melodist, with a style that owed much to his boyhood idol, Max Reger. Yet, always a man of principle, he sacrificed his career as both violinist and composer with his dignified refusal to perform or be performed in Nazi Germany. This CD of his lyrical writing for clarinet, the first in a series of recordings of Busch's light-filled chamber music, is part of the rediscovery of one of the leading musicians of his day.
Bettina Beigelbeck, clarinet
Busch Kollegium Karlsruhe
Toccata e due CD: Rediscovering Early Martinů – Part II
The publication of Martinů and the Symphony in 2010 brought a few unexpected opportunities my way. Even before the book appeared, I had taken part…
Toccata e due CD: Rediscovering Early Martinů – Part I
In April 2013, Toccata Classics released a recording entitled Bohuslav Martinů – Early Orchestral Works, Volume 1, launching what is hoped will be a series…
Toccata e due CD: Rediscovering Early Martinů – Part III
Volume One of the Martinů Early Orchestral Works series brought much satisfaction to all involved. Martin Anderson was delighted by the quality of the new…
Too Many Symphonies? – Part One: Rob Keeley
Sometime in the 1950s, when John Barbirolli famously said ‘there are too many symphonies this year, or any year’, he might have been weary after…
Announcing Toccata Next
Toccata Classics was born out of a desire to present the music of unjustly neglected composers, and to give them a chance to present themselves…