Günter Raphael: Music for Violin

Günter Raphael: Music for Violin

In the first part of his career Günter Raphael (1903-60) enjoyed performances of his music by Germany's leading musicians, among them the Busch Quartet and Wilhelm Furtwängler. But declared a 'half-Jew' by the Nazis in 1934, he was forced from his prestigious teaching position in Leipzig. Confined to hospital by tuberculosis during the War years, he continued to compose while his doctors protected him from persecution. These violin works — strongly melodic and rhythmically vital — continue the mainstream of German Romanticism as refracted through Hindemith; the two solo sonatas have echoes of Bach.

Pauline Reguig, violin
Darius Kaunas, violin
Emilio Peroni, piano

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Catalogue No: TOCC0122
EAN/UPC: 5060113441225
Release Date: 20.09.2010
Composer: Günter Raphael
Artists: Darius Kaunas, Emilio Peroni, Pauline Reguig

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    Sonatina in B minor, Op. 52, for violin and piano (1944)

  1. I. Mässig
  2. II. Breit und gesangvoll
  3. III. Tänzerisch belebt, dabei etwas schwerfällig und derb
  4. Sonata in E major, Op. 46, No. 2, for solo violin (1940)

  5. I. Sehr langsam
  6. II. Scherzo: Ganze Takte
  7. III. Gemessen
  8. Duo in G minor, Op. 47, No. 1, for two violins (1940)

  9. I. Mit lebhafter Energie
  10. II. Langsam gehend (in fliessender Bewegung)
  11. III. Nicht zu lebhaft, ein wenig gemächlich
  12. Sonata in A minor, Op. 46, No. 1, for solo violin (1940)

  13. I. In Form einer freien Fantasie
  14. II. Ruhig und gesangvoll
  15. III. ƒusserst schnell
  16. Sonata No. 3 in C major, Op. 43, for violin and piano (1936)

  17. I. Vivace
  18. II. Allegretto grazioso
  19. III. Con fuoco

1 review for Günter Raphael: Music for Violin

  1. :

    “…The solo sonatas [Op. 46] are fascinating examples of Raphael’s surety in writing for the instrument, refined and purposeful in slower passages, and more acrid and angular in the faster ones. The writing sits somewhere between the violin music of Reger and Karl Amadeus Hartmann though the winding chromaticism, especially of the E major solo sonata, is slightly reminiscent, too, of Hindemith. Raphael’s cultivation of aria depth, as in the slow central movement of the A minor solo sonata, gives his music a real sense of breadth, finely balanced by the more motoric and driving elements of his finales. …[The Duo for two violins] It’s an ingenious piece with plenty of canonic writing and full of vibrancy in the opening and tersely intense in the finale. In between there is a more contemplative, reserved, refined slow movement. The Duo is of a piece with the other works – and extremely successful. So too are the performances, with Pauline Reguig sounding wholly attuned to the Raphael idiom, and Emilio Peroni’s pianism adding significantly to the success of the volume. Darius Kaunas proves a fine foil in the Duo.” MusicWeb International

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