The Lithuanian composer Jeronimas Kačinskas (1907-2005) is one of the lost radicals of twentieth-century music. He abandoned traditional syntax in favour of an atonal athematicism, whereby the music is in constant evolution, with freely pulsing rhythms and melodic lines that branch forward like tendrils. His lyrical but tightly woven Nonet was well received in the 1930s, but when Kačinskas fled Lithuania from the approaching Russians in 1944 he had to abandon almost all his scores. Only with the collapse of the Soviet empire could the work be reconstructed — and the composer return home in triumph.
Giedrius Gelgotas, flute Arnoldas Gurinavičius, double-bass Vilnius String Quartet, string quartet St Christopher Quintet, wind quintet Gabrielius Alekna, piano Daumantas Kirilauskas, piano
Catalogue No: TOCC0169EAN/UPC: 5060113441690Release Date: 05.08.2013Composer: Jeronimas Kačinskas Artists: Arnoldas Gurinavičius, Daumantas Kirilauskas, Gabrielius Alekna, Giedrius Gelgotas, St Christopher Quintet, Vilnius String Quartet
Download the Booklet
Reflections for piano (1957) https://d3i77y9w5vf4up.cloudfront.net/TOCC0169/TOCC0169t05.mp3
String Quartet No. 3 (1993) https://d3i77y9w5vf4up.cloudfront.net/TOCC0169/TOCC0169t10.mp3
Jonathan Woolf :
“…The Nonet is the most immediately arresting and notable of the pieces. …The first performers of the work were the members of the Czech Nonet, then and now amongst the greatest such ensembles; …[Reflections] The tenor of the music has retreated from his pre-war involvement in quarter-tones and reveals instead an enthusiasm for well-couched impressionism and for highly congenial, appropriately scaled writing. …I hope we hear more of Kačinskas, a voice well worth hearing.” MusicWeb International
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