Emil Tabakov: Complete Symphonies, Volume One

Emil Tabakov: Complete Symphonies, Volume One

The Bulgarian Emil Tabakov (b. 1947) follows in the footsteps of such musicians as Gustav Mahler and Richard Strauss, being active as both composer and conductor. Like Mahler, he prefers to write for large forces and now has nine symphonies to his name. Again like Mahler, Tabakov’s symphonies explore the darker side of the human spirit in epic scores as austere as they are powerful. In the atmospheric and expansive Symphony No. 8 (2007–9), the dynamism suppressed in the first two movements is released in a cathartic discharge of energy in the finale. The ebullient Five Bulgarian Dances provide a complete contrast, taking Balkan folk-rhythms as the basis for their pile-driving vigour.

Bulgarian National Radio Symphony Orchestra
Emil Tabakov, conductor

5 out of 5 based on 1 customer rating
(1 customer review)
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Catalogue No: TOCC0365
EAN/UPC: 5060113443656
Release Date: 01.08.2016
Composer: Emil Tabakov
Artists: Bulgarian National Radio Symphony Orchestra, Emil Tabakov

1 review for Emil Tabakov: Complete Symphonies, Volume One

  1. 5 out of 5
    5 out of 5

    :

    I had never heard of Emil Tabakov before finding this CD. The Bulgarian Dances which start the CD are pulse-pounding, rhythmic and melodic meat and potatoes. They make the heart race with excitement ad thrill with his minor key-inflected tunes. It is hard to believe they were written in 2011 and not 1911, revealing Tabakov’s mastery of form, musical expression, and love for his native land and its music.

    Symphony No. 8 is, as the description above notes, a dark work full of pathos. The opening two movements last for nearly half an hour and both are marked Largo. The first movement builds into ever louder and louder exclamations of its ten-note motif (which itself is a 5-note call and 5-note response) as if it were some titanic eldritch horror pushing itself up from beneath the once solid ground. The second movement is quiet but feels restrained; it does not drain the energy so much as hold it in as its mysterious wanderings and musings leave us wondering. The finale explodes into action in, as the description notes, a cathartic manner, releasing everything that had been built up. Moments of quiet interject, but the energy and violence returns battering away until it is finally spent and the Symphony limps quietly along to its end. I do not know if it is a resolution or a resignation. In either event,we have born witness to a titanic eruption of aural power darker than anything in Mahler’s output.

    I see that this is a Volume One in his Complete Symphonies. I will be eagerly snatching up the remaining Volumes when they are released. Let us hope that this collection will also include his many Concertos and other orchestral works and that Emil Tabakov will not stop with only nine Symphonies.

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