David Braid: Chamber and Instrumental Music

David Braid: Chamber and Instrumental Music

The British composer David Braid, born in North Wales in 1970, studied in London, Oxford and Kraków, and his music shows something of that double inheritance, bringing together the lyricism of such English composers as Dowland and the dynamism of the Polish school of Lutosławski. This debut CD of his music presents chamber and instrumental works written between 2006 and 2011. Steve Reich described the raga-like Morning for soprano and string quartet — the Pablo Neruda setting which opens this disc — as 'beautifully done — very honest stuff’; the other works here encompass a divergent range of moods, from the melancholy of Infinite Reminiscence to the energetic drive of Music for Dancers.

Grace Davidson, soprano
Peter Cigleris, clarinet
Yuri Kalnits, violin
Julia Morneweg, cello
John Paul Ekins, piano
Sergei Podobedov, piano
Jelena Laković, piano
Tippett Quartet, string quartet
Erato Piano Trio, piano trio
Rossitza Stoycheva and Mikako Hori, piano duo

£7.99£13.50 £6.75£9.99

5 out of 5 based on 1 customer rating
(1 customer review)
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Listen To This Recording:

  1. Morning (Pablo Neruda) for soprano and string quartet, Op. 3 (2006)
  2. Three Pieces for solo piano, Op. 8 (2008)

  3. No. 1 Lyrical Toccata
  4. No. 2 Aria
  5. No. 3 Three-Part Invention
  6. Invention for violin and piano, Op. 11 (2010)
  7. Sonata for Quartet, Op. 13 (2011)
  8. Infinite Reminiscence for two pianos, Op. 4 (2007)
  9. Music for Dancers for piano trio, Op. 9 (2009)
  10. Postlude for solo piano, Op. 10 (2010)

1 review for David Braid: Chamber and Instrumental Music

  1. 5 out of 5
    5 out of 5


    Contemporary chamber and piano music by a composer new to me. Much of the musical language is tonal, but with often dissonant harmonies and, at times, clashing and jagged rhythms, sometimes set against a ground of a rising scale. Some small motifs recur in several pieces, treated differently in each, giving a greater unity than I had expected to the collection. David Braid combines a strong intellectual structure with emotional power and some memorably haunting passages. All in all an enjoyable and approachable set of pieces, well performed.

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