At the beginning of his career, the Viennese pianist-composer Anton Eberl (1765–1807) had to put up with the doubtful flattery of seeing some of his works published under the name of Mozart, who was a friend and supporter. But Eberl’s charming and elegant music deserves to be remembered in its own right: it engages in remarkably imaginative and experimental formal innovations, developing the Viennese Classical style beyond the point at which Mozart had left it, to a degree of refinement that led Eberl’s contemporaries to prefer his compositions to Beethoven’s.
Heejung Kang, piano Dayeon Hong, violin
Sonata for Piano and Violin in F major, Op. 49 (1805) https://d3i77y9w5vf4up.cloudfront.net/TOCC0390/Track04.mp3
Sonata for Piano and Violin in B at major, Op. 50 (1805) https://d3i77y9w5vf4up.cloudfront.net/TOCC0390/Track07.mp3
Catalogue No: TOCC0390EAN/UPC: 5060113443908Release Date: 01.01.2018Composer: Anton Eberl Artists: Dayeon Hong, Heejung Kang
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