Anatoly Lyadov: Choral Music
Lyadov’s handful of orchestral works have become concert favourites, but his choral music is as good as unknown. It falls into three main categories: religious chants, folksong arrangements and original compositions. All three confirm Lyadov’s status as a kind of Fabergé of music: they blend exquisite craftsmanship and delicate beauty.
The Academy of Russian Music Chamber Choir
Ivan Nikiforchin, choirmaster and conductor
Listen To This Recording:
- The Hourly Prayer of St Joasaph Gorlenko (1910)
- No. 7 Cherubic Hymn
- No. 10 I shall take the cup of salvation
- No. 1 The Dove book
- No. 2 Oh, Avsen
- No. 3 You are my beauty
- No. 4 I’ll go, young one
- No. 5 At Dawn
- No. 3 Now we have a drink
- No. 9 As at the evening
- No. 10 We, girls, would like to pour some horilka
- No. 14 The valley
- No. 1 You, my river
- No. 2 Oh, it’s not a sunset
- No. 3 Birch forest, who’s a single man?
- No. 4 White Snow
- No. 5 I’ll sit down young
- No. 6 The winds blew
- No. 7 Along the steep coast
- No. 8 Rain on the street
- No. 9 That’s my grief
- No. 10 Along the street
- No. 1 Hushaby
- No. 2 The open field, you’re my wide space
- No. 3 Oh, there was no wind
- Glorification for Vladimir Stasov (1899)
- I Beggars’ chorus: Ave Maria
- II Ave, Maris Stella
- III The Death of Beatrice: Requiem aeternam
- Glorification for Vladimir Stasov on 2 January 1894 (1894)
- Farewell Song of the Schoolgirls from the Empress Maria Institute, Op. 50 (1900)
- Glory to Nikolay Andreevich Rimsky-Korsakov (1901)
- Introduction (‘Blessed is he who is in the quiet deep’)
- Finale (Requiem)
- Glory to Evgeniya Ivanovna Zbrueva (1913)
- Fugato ‘Drip, Ek’ (1900)
- Chorus from the Cantata to the Memory of Mark Antokolsky, Op. 47 (1902)
- Slava, Op. 47 (publ. 1899)
- Hymn to Anton Rubinstein, Op. 54 (1902)
Ten Settings from the Obikhod, Op. 61 (1909)*
Five Russian Folksongs (1902)
15 Russian Folksongs for Female Voices (1908)
Ten Russian Folksongs, arranged for female voices, Op. 45 (1899)
Three Russian Folksongs for Female Voices (1912)
Music to Maurice Maeterlinck’s Drama Sœur Béatrice, Op. 60 (1906)
Choruses from The Final Scene of Schiller’s ‘Die Braut von Messina’, Op. 28 (1878)
ALL EXCEPT * FIRST RECORDINGS
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