Russian Settings of Robert Burns
Robert Burns enjoyed a particular following in both Imperial and Soviet Russia as an idealised 'people’s poet’. In the mid-twentieth century Samuel Marshak’s best-selling translations of Burns came to rival Pushkin in popularity and provided a fresh stimulus to Soviet composers – some of whom may have seen Burns’ radical views as a useful cloak for their own non-conformist views.
Vassily Savenko, bass-baritone
Alexander Blok, piano
Listen To This Recording:
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Songs to Verses by Robert Burns (1955)
- No. 1: ‘Davno li tsvel zeleniy dol’ (‘The burgeoning dale was lately green’: ‘The Winter of Life’) Audio Player
- No. 2: ‘Vozvrashcheniye soldata’ (‘The Return of the Soldier’: ‘The Sodger’s Return’) Audio Player
- No. 3: ‘John Anderson’ (‘John Anderson, my Jo’) Audio Player
- No. 4: ‘Robin’ (‘Rantin’, Rovin’ Robin’) Audio Player
- No. 5: ‘Gorsky paren’ (‘Highland Laddie’) Audio Player
- No. 6: ‘Findlay’ (‘Wha Is That At My Bower-Door?’) Audio Player
- No. 7: ‘Vsiu zemliu tmoy zavoloklo’ (‘There Is Darkness Over All the Land’: ‘Guidwife, Count the Lawin’) Audio Player
- No. 8: ‘Proshchay’ (‘Farewell’: ‘A Red, Red Rose’) Audio Player
- No. 9: ‘Chestnaya bednost’ (‘Honest Poverty’: ‘A Man’s A Man For A’ That’)
- No. 1: Malen’kaya ballada (‘A Little Ballad’: ‘There Was a Bonnie Lass’) Audio Player
- No. 2: ‘Jenny’ (‘Comin thro’ the Rye’)
- No. 2: ‘V polyakh, pod snegom i dozhdyom’ (‘In Snow-girt Fields’: ‘O, Wert Thou In The Cauld Blast’) Audio Player
- No. 3: ‘McPherson pered kazn’yu’ (‘McPherson before his Execution’: ‘McPherson’s Farewell’) Audio Player
- No. 4: ‘Jenny’ (‘Comin thro’ the Rye’)
- No. 1: ‘Lyubov’ (‘Love’: ‘A Red, Red Rose’) Audio Player
- No. 2: ‘John Anderson’ (‘John Anderson, my Jo’) Audio Player
- No. 3: ‘Shelagh O’Neil’ Audio Player
- No. 4: ‘Gde-to v peshchere’ (‘Somewhere in a cave’: ‘Had I a Cave’) Audio Player
- No. 5: ‘Iz vsekh vetrov’ (‘Of all winds’: ‘Of A’ the Airts’)
- No. 1: ‘Zastol’naya’ (‘A Toast’: ‘Auld Lang Syne’) Audio Player
- No. 2: ‘Luchshy paren’ (‘The Bonniest Lad’: ‘Highland Laddie’) Audio Player
- No. 5: ‘V polyakh, pod snegom i dozhdyom’ (‘In Snow-girt Fields’: ‘O, Wert Thou In The Cauld Blast’)
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Two Songs to Verses by Robert Burns (1951)
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Three Songs from Six Romances for Bass, Op. 62 (1942)
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Song-Cycle to Verses by Robert Burns, Op. 51 (1956)
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Three Songs from Five Songs to Verses by Robert Burns (1944)
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Fanfare Magazine :
‘Vassily Savenko would appear to be the ideal singer for this repertoire. […] He combines the words and music with complete identification. […] [his voice]is married to an intelligence and musical sensitivity that we do not encounter. […] Alexander Blok’s keyboard partnership is more than mere accompanying – he provides plenty of color and shape to the songs. The sound is well balanced, and neither too close nor too distant. In addition to the excellent notes explaining Burns’s place in Russian culture that I referred to earlier, there is an equally informative essay on Burns and these composers by Stuart Campbell. A final touch worthy of praise: Toccata provides the Cyrillic original, the original Burns’s poems, and then a modern English translation of the Russian translation of those poems. Recommended for anyone with an interest in off-the-beaten-path vocal repertoire.’
—Henry Fogel, Fanfare Magazine May/June 2013