Joan Cabanilles Keyboard Music: Volume Two
Much of the music of Joan (or Juan) Cabanilles (1644–1712) is as virtuosic and colourfully Baroque as that of his northern contemporary, Dietrich Buxtehude, though it is also touched with a distinctively Spanish intensity. He is claimed as the most prolific of all composers for the organ, and publication of his works, begun in 1927, is still under way. This is the second in an ongoing series of recordings designed to restore a great Valencian master to his unique glory.
Timothy Roberts
Organ of the Church of Sant Jaume, Vila-real, Valencia (Tracks 1–20)
Organ of the Church of San José, Navalcarnero, Madrid (Tracks 21–22)
Harpsichord (Tracks 23–24)
Listen To This Recording:
- Tiento No. 65 lleno, de quinto tono
- Tiento No. 109 de contras de ocho tono
- Tiento No. 126 de clarines de sexto tono [partido de mano derecha, y de dos tiples]*
- Verso No. 61 sobre Ave Maris Stella, de primero tono*
- Tiento No. 4 partido de mano derecha sobre Ave Maris Stella, de primero tono*
- Verso No. 62 sobre Ave Maris Stella, de primero tono*
- Tiento No. 15 de falsas, de quinto tono
- Tiento No. 97 partido de mano izquierda, de tercero tono*
- 11 versos de cuarto tono: No. 230*
- 11 versos de cuarto tono: No. 232*
- 11 versos de cuarto tono: No. 257*
- 11 versos de cuarto tono: No. 233*
- 11 versos de cuarto tono: No. 262 partido de dos bajos*
- 11 versos de cuarto tono: No. 277 de ecos*
- 11 versos de cuarto tono: No. 256*
- 11 versos de cuarto tono: No. 286*
- 11 versos de cuarto tono: No. 261 partido de dos bajos*
- 11 versos de cuarto tono: No. 267*
- 11 versos de cuarto tono: No. 231*
- Tiento No. 42 partido de dos tiples, de cuarto tono*
- Tiento No. 16 lleno, de quinto tono
- Tiento No. 24 lleno, de ocho tono
- Passacalles No. 4 de cuarto tono
- Tiento No. 10 lleno, de tercero tono
*FIRST RECORDINGS
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