Alexandre Boëly: Piano Music, Volume One
Alexandre Boëly (1785–1858) is best remembered as a member of the long French tradition of organist-composers. His piano music, by contrast, is as good as unknown, and yet it is an important link between the Baroque and Classical worlds of eighteenth-century France and the emerging Romanticism of the nineteenth. This recording, on an Érard piano from 1853, highlights both its Classical poise and its Romantic charm, revealing Boëly as a forerunner of composers like Saint-Saëns, whom he taught, as well as other piano pioneers such as Alkan, Chopin and Liszt, all of whom this prominent Parisian musician and teacher may well have known personally.
Stephanie McCallum, piano (Érard, Paris, 1853)
Listen To This Recording:
-
24 Pièces diverses pour piano divisées en 2 suites, Op. 20 – Première Suite
- No. 1 Allegretto moderato
- No. 2 Romance (Andante)
- No. 3 Andantino
- No. 4 Scherzo (Allegro moderato)
- No. 5 Prélude
- No. 6 Andante sostenuto con espressione
- No. 7 Romance (Andantino)
- No. 8 Allegretto con moto
- No. 9 Allegretto
- No. 10 Prélude (Andante)
- No. 11 Allegretto grazioso
- No. 12 Allegretto scherzando
- I Fuga a 2 soggetti: Moderato
- II Largo
- III Polacca
- No. 13 Romance (Con espressione)
- No. 14 Moderato con espressione
- No. 15 Tempo di menuetto
- No. 16 Danse villageoise (Allegro)
- No. 17 Andante
- No. 18 Scherzo and Trio (Allegro)
- No. 19 Larghetto affettuoso
- No. 20 Allegro con vivacità
- No. 21 Andantino con moto
- No. 22 Gavotte (Allegretto grazioso)
- No. 23 Marche des pélerins (Tempo moderato)
- No. 24 Allegro vivace e scherzando
- Allegro grazioso
- No. 11 in E minor (Allegro vivace)
- No. 20 in C minor (Con fuoco)
- No. 6 in E flat minor (Allegro con fuoco)
IV Suites pour piano composées dans le style des anciens Maîtres, Op. 16 – Suite IV in F minor
24 Pièces diverses pour piano divisées en 2 suites, Op. 20 – Deuxième Suite
Caprice pour le piano, Op. 7
Trente études, Op. 6
Quarante pièces d’étude, Op. 13
FIRST RECORDINGS
MusicWeb International :
‘The excellence of the playing, the fidelity of the recording and perfect piano sound, to say nothing of the erudition of the sleeve notes, all make this CD hard to resist. And then you’ll more than likely become hooked, just in time for the release of Volume Two.’
—Philip R Buttall, MusicWeb International