Antoine Reicha: Complete Piano Music, Volume Five
The piano music of the Czech-born composer Antoine Reicha (1770–1836) – friend of Haydn and Beethoven, teacher of Berlioz, Liszt and Franck – has only recently begun to be discovered. He was an important influence on composers of the next generation but until recent years his piano works remained almost completely unknown. Encompassing Baroque practices, as well as looking forward to the twentieth century, they are full of harmonic and other surprises that show this liveliest of musical minds at work. In this fifth volume of his survey of Reicha’s piano music Henrik Löwenmark demonstrates the breadth of Reicha’s quixotic imagination, with three variation sets and a number of smaller character pieces.
Henrik Löwenmark piano
Listen To This Recording:
- Thème – Poco allegretto
- Var. 1
- Var. 2
- Var. 3
- Var. 4
- Var. 5
- Var. 6
- Var. 7
- Var. 8
- Var. 9
- Var. 10
- Var. 11
- Var. 12
- Var. 13
- Var. 14
- Var. 15 – Andante maestoso
- Var. 16 – Allegretto
- Coda – Allegro assai
- No. 1 Andante un poco Allegretto*
- No. 2 Allegro
- No. 1 – Andante
- No. 2 – Andante un poco allegretto
- No. 3 – Lento
- No. 4 – Allegro
- No. 5 – Adagio
- No. 6 – Allegro assai
- No. 7 – Andante un poco lento
- No. 8 – Allegretto
- No. 9 – Largo di molto
- No. 10 – Allegro
- No. 11 – Lento
- No. 12 – Allegretto un poco andante
- No. 13 – Allegro
- Poco Allegretto
- Un poco andante
- Thème – Andante
- Var. 1 – Con più moto
- Var. 2 – Legato
- Var. 3
- Var. 4
- Var. 5
- Var. 6
- Var. 7
- Var. 8
- Var. 9
- Var. 10 et Coda – Allegro assai
- Andante maestoso, Trio – Allegretto
- Thème – Allegretto
- Var. 1 – Con più moto
- Var. 2 – Tempo primo
- Var. 3
- Var. 4
- Var. 5
- Var. 6
- Var. 7
- Var. 8
- Var. 9
- Var. 10
- Var. 11
- Var. 12
- Var. 13 – Adagio
- Var. 14 – Allegretto
- Coda – Allegro assai
Variations in E flat major, Op. 83 (c. 1815)
Deux Fantaisies, Op. 31 (c. 1800)
La Chercheuse d’esprit (c. 1800)
Fugue instrumentale à 3 dans le style modern (c. 1822)
Un poco andante (c. 1797?-1803?)
Variations sur l’air Charmante Gabrielle, Op. 85 (c. 1815)
Marche funèbre (c. 1800)
Variations sur un thème de Gluck, Op. 87 (c. 1815)
ALL EXCEPT * FIRST RECORDINGS

Nineteenth-Century Music Review :
‘His piano music is special, however, as this genre best reflects Reicha’s multidisciplinary approach as a music theorist, pedagogue and composer. […]
Löwenmark has published and presented musicological essays about Reicha’s piano music,and he provides very detailed historical and analytical liner notes for this series. This series thus provides a well-balanced platform from which to get acquainted with Reicha’s musical, pedagogical and theoretical thinking. […]
These and the other pieces of volume 5 confirm Reicha’s immense creativity. Their exploration is rewarded with a better understanding of the stylistic breadthbof piano music of the first two decades of the nineteenth century. Löwenmark’s excellent performance fits the characteristics of these quite diverse pieces, and his informative liner notes are valuable and meaningful resources for further studies of Reicha’s compositions and the underlying theoretical considerations.’
—Frank Heidlberger, Nineteenth-Century Music Review