Sadie Harrison: The Rosegarden of Light

11 reviews for Sadie Harrison: The Rosegarden of Light

1. Rated 5 out of 5

   Niall Hoskin :

   I came back last night from one of the dates on the ‘Rosegarden’ tour with – of course – a copy of the CD. It is – and the concert was – a fascinating listen. Utterly committed performers, some crafty arrangements by violist Kevin Bishop, and at the heart of the project the Harrison work. It alternates field recordings from the Afghanistan National Institute of Music in Kabul with responses to those pieces, played live by the American string sextet Cuatro Puntos. There was a reference in the programme to pieces being ‘culturally bilingual’, which I found helpful. The ‘Western” musicians reference the Afghan originals without patronising them, and the original material is strong enough for the themes to be clearly discernible in Harrison’s treatments.
   The ensemble has a double bass rather than a second cello: that makes for immense richness at times. But filigree sounds are there too. The viola solo ‘Allah-Hu’ is a gem, beautifully played by Bishop.
   This is music of great beauty and power, with moments of foot-tapping energy. All involved with the project are committed to the ANIM institute. The tour isn’t over – they’re worth tracking down. If it’s too late for that, get the CD and crank up the volume!

2. Dean Frey :

   Sadie Harrison is a composer of considerable stature, with a significant oeuvre that shows variety, depth and originality. She has been engaged in two additional professions which enhance her music. She’s a professional gardener, which gives her insights into the natural world and organic processes, and also an archaeologist, which opens windows into other cultures and to the past. The Rosegarden of Light project is a fascinating partnership with Cuatro Puntos (with whom Harrison is working closely, as composer in residence), a chamber music collective dedicated to global cooperation and peace, and student ensembles of the Afghanistan National Institute of Music (including the girls’ Ensemble Zohra and the Junior Ensemble of Traditional Afghan Instruments).

   The combination of Harrison’s special writing for strings, full of deceptively simple, open tunes and intricate rhythms and harmonies, and the joyful traditional Afghan music with its delightful sound palette gives this music an uplifting feeling. It makes one at least a tiny bit optimistic that music can indeed change lives, even for young people looking for life and joy against such high odds. —Dean Frey

3. Rod Lanier :

   The album’s highlight is the title work. Performed by the young women of Ensemble Zohra, the 3 Interludes that begin each section have a simple, direct charm, enhanced rather than hampered by the students’ noticeably junior performance level. The 3 Movements that follow each provide more sophisticated music, performed with bright polish by Cuatro Puntos. Listeners who know the popular Appalachian collaborations between Edgar Meyer, Mark O’Connor, and Yo-Yo Ma will appreciate and enjoy this Afghan folk flavored art music. The crepuscular harmonies of the 2nd movement are a standout.

   The album’s also a real toe tapper, especially the performances by the Junior Traditional Ensemble at the ANIM, dotting the program with some excellently tuneful and spirited music, like a guide leading the listener along.

   In a Soundhub interview on Resonance FM, Rosegarden composer Sadie Harrison sites an impulse to make her music more accessible, and this approach informs the whole album’s trajectory. You may never again find a solo for unaccompanied viola (a yearning, dark performance by Kevin Bishop) in the same company as traditional music performed by Afghan instruments (tabla, tanbur, rubab, zerbaghali, delruba, harmonium) — and enjoy them equally.

   And that may be the most remarkable success of the album: the dichotomous playlist, a mix of a traditional music and a classical music, each from distinct cultures, creates a compelling listening experience, which really proves its overall point, that harmony needn’t be only vibrations in the air. —Rod Lanier

4. Amazon Customer :

   This album, from the recordings of three different ensembles to the multitude of information in the booklet, is a first class example of musical collaboration. It should really be noticed on a much wider scale! The Afghanistan National Institute of Music seems like quite a remarkable place, and after hearing this album and reading the notes I did some web research and learned a lot more about their amazing work in the war-torn city of Kabul. It is breathtaking to hear the young musicians perform at such a high artistic level, particularly the Junior Ensemble of Traditional Instruments! The compositions for Cuatro Puntos by Sadie Harrison are phenominal, as is the performance of Ms. Harrison’s solo viola piece by Kevin Bishop. The way this project was conceived is remarkable, and the story behind its genesis is incredible. Keep up the good work! —Amazon Customer

5. Amazon Customer :

   This album was absolutely incredible. The efforts of the students of The Afghanistan National Institute of Music as well as the musicians and composer are all so moving. And the story behind how this album came to be is just as remarkable. This school is using music and education to work towards peace and the teachers working there selflessly to make the world around them a better place. When listening to this you can hear the pain and suffering but also the hope and joy that can be found. The piece so beautifully played by Kevin Bishop encompasses the whole range of emotions. Absolutely incredible! —Amazon Customer

6. Amazon Customer :

   Enjoyed it so much I’m buying another copy to give to a friend! —Amazon Customer

7. MusicWeb International :

   ‘These are a valuable pair of discs which challengingly introduce this composer to a wider audience. Recording quality is forthright and documentation attains Toccata’s usual eminence.’

   —Rob Barnett, MusicWeb International

8. Fanfare :

   ‘A disc by composer Sadie Harrison impressed me back in Fanfare 31:2. This is even more stunning: music as it should be, to speak about bringing peace to anguished lands, and to work collaboratively to bring that peace into existence. […]

   [Allah Hu] is a lovely, yearning piece, played with great intensity by Kevin Bishop. […]

   The interaction of Ensemble Zohra (the girls’ ensemble from the Afghanistan National Institute of Music) with the depth of sound of the Cuatro Puntos (a chamber ensemble based in Hartford, Connecticut) is powerful indeed. […] This is a virtuoso performance from Cuatro Puntos; but the real virtuosity belongs to the imagination of the composer, an imagination rooted in and driven by music as a force for good in the world. There are some intriguing passages here, a deep bass pizzicato providing an ongoing tread while figures swirl above like wisps of smoke. Remarkable stuff. […]

   Finally, there comes a simply astonishing performance by the Junior Ensemble of a piece called Red Rosebud: The drums at the opening are amazing in their velocity and sophistication. Projects of this sort are rare; this one may indeed be unique in its cross-border scope.

   —Colin Clarke, Fanfare

9. Trotz alledem :

   ‘Aber im Fall dieser erfreulichen CD ist es sehr gelungen […].

   Es folgen einige traditionelle Folksongs, teils instrumental, teils arrangiert für Streichsextett von Kevin Bishop. Die Schönheit und Gelassenheit des gemeinsamen Musik-Erlebens überträgt sich in wunderbarer Weise auf den Hörer und ermöglicht ihm eine Erfahrung jenseits aller oft ach so reißerisch aufgebauschten Medienberichte über eine uralte Musik und Kultur, die hoffentlich bald wieder zurück finden kann zu ihrer ureigensten Sprache und Form. Es gibt so viel Staunenswertes und Erlebbares auf unserem „Blauen Planeten“, für ihren „kleinen“ Beitrag gebührt dieser runden Scheibe Dank und besondere Aufmerksamkeit.’

   English translation:

   ‘But in the case of this delightful CD, it has been very successful […].

   What follows are several traditional folk songs, some instrumental, some arranged for string sextet by Kevin Bishop. The beauty and serenity of the shared musical experience are wonderfully conveyed to the listener, allowing them an experience beyond all the often sensationalized media reports about an ancient music and culture that will hopefully soon find its way back to its own unique language and form. There is so much to marvel at and experience on our “Blue Planet,” and this well-rounded album deserves thanks and special attention for its “small” contribution.’

   —Ulrich Hermann, Trotz alledem

10. Fanfare :

    ‘The music isn’t the most difficult, but simply having groups like the ANIM Junior Ensemble of Traditional Afghan Instruments playing folk songs and the all-female Ensemble Zohra existing at all is a major accomplishment. The US string sextet Cuantro Puntos does the heavy lifting on the culturally mixed pieces, and the collaborative works turn an already important musical release into something even greater.’

    —Fanfare

11. Blackmore Vale Magazine :

    ‘The Rosegarden of Light alternates between interludes performed by the Ensemble Zohra, the ANIM all-girls ensemble and fantasies on their material performed by Cuatro Puntos. “At a time when we are bombarded every day by images of the world in crisis, The Rosegarden of Light is a joyful celebration of musicians who share a fundamental right to express themselves through the universal language of music.’

    —Blackmore Vale Magazine