Nikolai Tcherepnin: Songs
Nikolai Tcherepnin (1873-1945) — a student of Rimsky-Korsakov and teacher of Prokofiev — was a Russian-born composer and conductor, and the first of his family's musical dynasty. This CD provides an overview of his ninety-plus songs, which cover a wide range of styles. The early ones are in a late-Romantic idiom; the Japanese Lyrics of 1923 display oriental colours; and the extraordinary Oceanic Suite (1917-23), which sets a series of incantations by the symbolist poet Konstantin Balmont, presents modern evocations of primitive ritual.
Elena Mindlina, soprano
David Witten, piano
Listen To This Recording:
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Fairy Tales, Op. 33 (Balmont; 1905)
- No. 1 ‘Morning’ Audio Player
- No. 6 ‘Cat’s House’ Audio Player
- No. 8 ‘Pansies’ Audio Player
- No. 10 ‘Fairy’s Charms’ Audio Player
- No. 11 ‘Fairy’s Breeze’ Audio Player
- No. 15 ‘The Butterfly’
- No. 1 ‘Thoughts and Waves’ Audio Player
- No. 2 ‘Last Love’ Audio Player
- No. 3 ‘Lake in Tsarskoe Selo’ Audio Player
- No. 4 ‘Twilight’
- No. 1 Andante (Ōshikōchi no Mitsune) Audio Player
- No. 2 Molto sostenuto e tranquillo (Anon.) Audio Player
- No. 3 Andantino tranquillo, quasi Andante (Saigyō Hōshi) Audio Player
- No. 4 Andantino pensieroso, tranquillo (Ooi) Audio Player
- No. 5 Sostenuto assai (Tekkan Yosano) Audio Player
- No. 6 Sostenuto assai, molto tranquillo (Tekkan Yosano) Audio Player
- No. 7 Moderato con moto (Kakinomoto no Hitomaro)
- No. 1 ‘Tears’ (Tyutchev) Audio Player
- No. 2 ‘Like a Wavering Cloud’ (Fet) Audio Player
- No. 3 ‘On a Quiet Night’ (Tyutchev) Audio Player
- No. 4 ‘Spring Solace’ (Tyutchev)
- No. 1 ‘To the Earth’ Audio Player
- No. 2 ‘Incantation to the Heart’ Audio Player
- No. 3 ‘Incantation to the Earth Spirit’ Audio Player
- No. 4 ‘Incantation to the Maker of Shadows’ Audio Player
- No. 5 ‘Incantation to Love’ Audio Player
- No. 6 ‘Incantation to Memory’ Audio Player
- No. 7 ‘To the Earth’ Audio Player
- No. 8 ‘Maguey-Agave’
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Four Songs, Op. 16 (Tyutchev; 1903)
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Japanese Lyrics, Op. 52 (1923)
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Four Songs, Op. 8 (1900)
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Oceanic Suite: A Cycle of Incantations, Op. 53 (Balmont; 1917)
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BBC Music Magazine :
‘Profound lyrical enchantment fusing exultant Russian melodiousness with a fastidious palette worthy of Ravel, in masterly performances that radiate the intense joy of each fresh musical discovery.’
—Julian Haylock, BBC Music Magazine
MusicWeb International :
‘… They are highly romantic in the manner of Rachmaninov and with a strong vein of impressionism. I have no doubt at all that if you already have favourites among the latter’s songs then you can buy this collection with complete confidence. … David Witten is a mature and sensitive pianist… Mindlina brings just the right blend of Slavonic combustibility, dreamy introspection, fairytale fantasy, dark shadows, honeyed sweetness, girlish innocence, play-acting vocal characterisation and operatic blow-torch.’
—Rob Barnett, MusicWeb International
American Record Guide :
‘…The Four Songs, Op 8; Four Songs, Op 16; and Fairy Tales, Op 33, are late romantic in style, all well written. …Mindlina does a fine job on all these songs; she has a brighter voice than what comes into my head when I think of a Russian soprano, and she’s a delight to listen to. …The Oceanic Suite: A Cycle of Incantations inhabits a different world than the other sets— it’s less romantic than the three earlier sets, but of fuller texture than the Japanese Lyrics. So, songs worth hearing if not worth obsessing about.’
—Stephen Estep, American Record Guide
Fanfare Magazine :
‘This collection of songs by Nikolai Tcherepnin seems the very definition of the Russian soul. […]
These songs fit right into that position between the Romantics and the Moderns, and they are very engaging songs that deserve a more visible place in the repertoire than they have. Anyone who enjoys the songs of Tchaikovsky, Rachmaninoff, Shostakovich and, for instance, Sibelius is likely to respond well to these. They are evocative and very beautiful. […]
[Elena Mindlina] is clearly a very good musician and knows these songs well (she and the pianist collaborated on the superb program notes). She sings with intelligence, with well-thought-out inflection and phrasing, and with real dynamic variety. […] Witten plays the piano parts with an equally involved sense of color and shaping, and the recorded sound is very well balanced. ‘
—Henry Fogel, Fanfare Magazine, September/October 2014