Anton Eberl: Three Sonatas for Piano and Violin
At the beginning of his career, the Viennese pianist-composer Anton Eberl (1765–1807) had to put up with the doubtful flattery of seeing some of his works published under the name of Mozart, who was a friend and supporter. But Eberl’s charming and elegant music deserves to be remembered in its own right: it engages in remarkably imaginative and experimental formal innovations, developing the Viennese Classical style beyond the point at which Mozart had left it, to a degree of refinement that led Eberl’s contemporaries to prefer his compositions to Beethoven’s.
Heejung Kang, piano
Dayeon Hong, violin
Listen To This Recording:
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Sonata for Piano and Violin in B at major, Op. 35 (before 1790)
- Sonata for Piano and Violin, Op. 35, in B flat major: I Allegro con fuoco
- Sonata for Piano and Violin, Op. 35, in B flat major: II Adagio piu tosto Andante
- Sonata for Piano and Violin, Op. 35, in B flat major: III Rondo Vivace assai
- Sonata for Piano and Violin, Op. 49, in F major: I Adagio – Allegro
- Sonata for Piano and Violin, Op. 49, in F major: II Adagio
- Sonata for Piano and Violin, Op. 49, in F major: III Rondo Presto
- Sonata for Piano and Violin, Op. 50, in B flat major: I Andante molto – Allegro
- Sonata for Piano and Violin, Op. 50, in B flat major: II Adagio
- Sonata for Piano and Violin, Op. 50, in B flat major: III Rondo Vivace
Sonata for Piano and Violin in F major, Op. 49 (1805)
Sonata for Piano and Violin in B at major, Op. 50 (1805)
FIRST RECORDINGS
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