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¡Colombia Viva! Volume Two
With this second volume of ¡Colombia Viva! – a series capable of infinite expansion, as is indeed intended – Mauricio Arias-Esguerra embarks on another lightning tour of the recent piano music of his native country, displaying the wide variety of styles on offer there, from atmospheric modernism to catchy folk dances, a recurrent element being striking rhythmic vivacity.
Mauricio Arias-Esguerra, piano
Ferenc Farkas: Chamber Music, Volume Three – Works with Flute
This tenth release in the Toccata Classics exploration of the music of Ferenc Farkas (1905–2000) puts his chamber music with flute in the spotlight. As with previous albums in this series, the music here highlights the characteristics that make Farkas’ music so appealing: catchy tunes, transparent textures, buoyant rhythms, a fondness for Baroque forms and a taste for the folk-music of his native Hungary that marks him out as a true successor to Bartók and Kodály. Some of these pieces speak a tougher language that shows Farkas to have been in touch with his times, but it is the infectious melodic appeal of most of the music here that carries the day.
András Adorján, flute
Tünde Szabóki,soprano (Tracks 9–10, 15–17, 25–27)
Lajos Rozman, clarinet (Tracks 11 – 13)
Andrea Horváth, bassoon (Tracks 11–13, 33–35)
Gergely Kovács, horn (Tracks 28 – 30)
Gyula Stuller, violin (Tracks 4 – 8, 19 – 24)
Márta Abrahám, violin (Tracks 4 – 8)
Péter Bársony, viola (Tracks 15–17, 25–30)
Miklós Perényi, cello (Tracks 15 – 17, 19 – 24)
András Csáki, guitar (Tracks 25 – 27, 31 – 32)
Balázs Szokolay, piano (Tracks 1 – 3, 33 – 35)
Ferenc Farkas: Chamber Music, Volume Five – Works for Flute and Oboe
This twelfth release in the Toccata Classics exploration of the music of Ferenc Farkas (1905–2000) once again puts his chamber music with flute in the spotlight – here with an oboe chaser. As with previous albums in this series, the music highlights the characteristics that make Farkas’ music so appealing: catchy tunes, transparent textures, buoyant rhythms, a fondness for Baroque forms and a taste for the folk-music of his native Hungary that marks him out as a true successor to Bartók and Kodály. The works in this recording are almost all reworkings – by Farkas or the two soloists here – of music first written for different forces and now taking on a new lease of life.
András Adorján, flute (Tracks 1–15)
Lajos Lencsés, oboe (Tracks 15, 19–22), oboe d’amore (Tracks 23–26), cor anglais (Track 27)
András Csáki, guitar (Track 12)
Balázs Szokolay, piano (Tracks 1–11, 13–21)
Antal Váradi, organ (Tracks 22–27)
Charles-Valentin Alkan: Complete Recueils de Chants, Volume Two
The wild originality of Charles-Valentin Alkan was little appreciated during his lifetime (1813-88), nor during the century which followed, when he was largely lost from sight. But now Alkan is increasingly recognised as one of the most individual personalities in all music. The five albums he called Recueils de chants — miniature tone-poems which marry Classical constraint to virtuoso Romantic excess — provide an attractive gateway to his freewheeling imagination.
Stephanie McCallum, piano
Remembering Alice Herz-Sommer
News has come through of the death this morning, 23 February 2014, of Alice Herz-Sommer, at the age of 110. Alice had become an icon,…
Ottorino Respighi: L’Opera Per Pianoforte Solo
di Potito Pedarra Scrive Lorenzo Arruga presentando alcune “liriche più famose [di Respighi]: una volta le ho persino accompagnate in un piccolo concerto, accettando a…